Second roll of Superia 200

Repost for the evening crowd. A skylight filter tones down a lot of the exaggerated colours I was getting in the first roll. Or it’s the lens on this camera, or a bit of both. I can’t believe how well it does with neon, and other artificial light, considering how poorly it does with low natural light and even sunsets.

Minolta Hi-Matic AF2, Fuji Superia 200.